To solve this, I began by exploring how users would naturally discover and access the new sound effects feature, identifying the right entry points within the existing studio. I studied several other platforms through competitive analysis to understand common patterns, usability expectations, and opportunities to improve on what already existed in the market. Based on these insights, I created initial design directions and quickly moved toward a more robust concept that aligned with Murf’s workflow. Since the timeline update had to be delivered within a short period, I shifted early into high-fidelity design, focusing on building a solution that made adding, managing, and syncing sound effects feel seamless despite the limitations of the earlier single-track system.